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Flirting with Disaster

3/27/2018

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Remember that old line about truth?  It's like a meth addicted donkey kicking Shakespeare.  That's why a lot of folks gravitate to nonfiction.  It's always strange.  So I dip into it from time to time.  I also enjoy a bit of live storytelling.  That's why I hit up certain storytelling events around Chicago.  Besides getting a chance to practice my own pieces, shows are often populated by a wide variety of excellent folks telling a broad range of engaging stories. 
 
The one I visit the most routinely is an event provided by
Do Not Submit.  This is an organization hosting "a series of free open mics around Chicago where people from all walks of life and backgrounds can come together each month to connect through the sharing of personal stories."  And that's what I like about it.
 
Events like those hosted by The Moth tend to be curated affairs.  They don't typically welcome first time amateurs.  They want polished performers, and while that can guarantee certain elements like comedic timing, spoken flow, etc., it can come at the cost of a human element.  Sure, there are first timers at Do Not Submits who stumble a bit -- stage fright, choked up on emotion, hesitation to share intimate details -- yet that makes the sharing more touching in a way.  It's hard for me not to be a bit cynical hearing a Moth regular tell, what is perhaps the hundredth time, their tale of woe, but when a woman gets up who has literally just a few weeks ago given stillbirth to her child share that story because she needs to tell someone, it's figuratively eating her alive, that's more powerful to me; her tears don't feel scripted.  The story is less of a performance, and more a shared moment.  We have so many filters these days to keep the reality of life at a distance -- we're aware of the truth without having to feel it -- sometimes that gut punch is a good wake up call. 
 
But it's not all grim spectacle.  There are plenty of humorous anecdotes.  The best tend to be when someone clearly has a moment of insight mid-performance, and thinking aloud causes a laugh.  See, that's something lacking in Moth shows, where the jokes are often preplanned right down to the cadence of speech. 
 
I'm not saying one is better than the other.  The Moth puts on an excellent show.  However, their storytellers have mined the depths of their tales, and are ready to share that gold as efficiently and entertainingly as possible.  Do Not Submit events, on the other hand, are usually more about people still trying to figure out what they need to say. 
 
Either way, I recently managed to remember I can record things with my phone.  I've been promising to do this, especially for friends who live far from the city.  So here is a clip of me performing at a Do Not Submit event in Andersonville.  And if you live in the Chicago area, check out the link below.  Maybe this is something you'd like to try, or simply see.  Whatever you chose, you're welcome.
 

http://www.donotsubmitchicago.com/
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Melting Phoenix

3/25/2018

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I decided instead of instead of sitting on my ass all afternoon doing nothing I'd take a stab at some art.  Oddly enough, I think it paid off.  This bought of creativity brought to you by a relaxing Saturday evening in the company of good folks.  It's amazing how much peace of mind can fuel a person.  Given that I usually work off of depression, rage, and myriad other dark emotions, it was nice to go with so-called good feelings.  Although let's be honest, those feelings probably dubbed themselves "good", and that's just self serving gross aggrandizement.  Anyway, enjoy "Melting Phoenix."
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Leave a Love Canal

3/22/2018

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Part I.  As the Candles Melt…
 
Four leaf clovers misspent
On nets cast
Fishing for fugu,
But not just
More bones to mass the midden.
A carefully crafted meal
For romantics dining
Expecting a grim guest
Intruding during a delectable entrée,
Though such welcome intrusions
Never arrive when needed.
Perhaps even unwanted in hindsight,
The menu is meant to tempt
A defense against optimism
Delivered by silver shoed shadows
Running invisible through the night
Baited by the prospect of pessimism
Seizing the board;
Othello played so masterfully
It’s worth a candle
Melted from any end.
 
After eating she asks,
“Have we played tonight?”
And he can only reply
According to cues
Signaled by a roulette wheel –
22 black – No turning back;
Rude in speech
Unblessed by soft phrases of peace,
“If you have, it wasn’t with me.”
Yet hardly a heart
Subdued by the tempest
She prays for the calm following
The winds which waken death
Even while plotting to mend
By making a positive
Multiplying negatives.
And no doubt tomorrow
Her sin will be his
Until back and forth
The two spew enough caustics
To leave a Love Canal.
 
Part II.  … Facets Come to Light…
 
Dead roses tossed away
Though scars remain to remind
The thorns bit
Right after beauty
Hooked a star gazer.
Looking away risked tearing
The eyes wide open,
Though staring at the sun
Chances similar blindness.
Yet, with no other choices,
Carry on
Burning out the ability to see
Cracks in Pygmalion’s masterpiece.
Ruinous only to daydreams
Too fragile to accommodate facts;
The truth as delicate as Weiwei
With an ancient urn,
Leading to the tragedy of a glass goblin
Shattered by melodies unheard.
Those sweeter symphonies
The band plays regardless
Of ears hearing hints
Sounding like sonar
Revealing what lies ahead,
Beneath, and in-between.
 
The end at the beginning
Shrouded in rosy distortions,
Especially in a funhouse.
Mirrors making the odd so common
It seems to suggest nothing
So banner headlines are printed
Echoing Henning’s prediction:
“Love defeats All,”
As if guaranteed by the press
Forecasting winter’s end
Instead of impending frost,
And though through snows
A second love may follow
After cruel Cupid, sated by tears,
Extinguishes an inflamed past
The aftermath still salts
A region, but not the whole.
 
Part III.  … In Her Eyes.
 
Her blood already wine
No need to waste time
On transubstantiation –
The alchemy of churches,
A promising lie
For the miracle began
With wine already in the cruet,
While she simply flows
Gushing from a sleeve
Adorned by a heart
Wondering why
Her simple is abstracted
By eyes licking her body
Sculpting clay
Into what devotees pray
Will fill the void
In their lives,
Never minding hers;
Pilgrims crusading
To cross a canyon
Wide as outer space
Then act proud of mistaking
A road of bones
Headed to nowhere
For the path to paradise,
And each new interaction
The past rhyming
Confining her to fantasy;
Screaming in a box
Wondering when she’ll be seen.
So sometimes any hand pleases
Turning the crank
Until out she pops
Quick kisses then gone,
Though occasionally lingering.
 
One on one, but still outnumbered
Binding with barbed wire
To one another’s delights;
They fight tooth and nail
In dialogues of comforting tribulation
Turning hearts purple
Thanks to bruises so deep
It hurts to beat.
But biology demands
Even abnormal rhythms
Maintain EKG rudiments –
Tachycardic flam dragons,
Or a steady pataflafla –
Slaves to the rhythm of amour,
They keep the illusion alive:
True love can be found
Where it doesn’t exist.
 
Pondering that sunsets are different
Wherever you go
Pen scratching sparks
To light a fire
She fills notebooks,
Journaling of these times together,
A walk down memory lane
To remember lessons from a cactus
On how to survive in the desert.
Always warning herself
In the absence of repeated stings
Calluses thin
Until that bullet proof armor
Is just a pleasing memory
More delusion than protection
When lead encounters cardboard.

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Slosh -- Face in the Dark -- Smoke Ghost

3/9/2018

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Cranked out a bit more art this week.  In a lot of ways it helps me visualize things better, so when I do sit down to write the movie in my head is clearer.  I suppose one could say making art sharpens my imagination.  At the same time, though, much as I enjoy the style of things I do, I also felt a need to try a little harder in other departments.

While one piece, "Slosh", is my usual type of living liquid, looking like paint's been dripping in a puddle of oil -- ripples captured mid-slosh -- the other two I endeavored to make more, for lack of a better term, human.  I wanted to do something that possessed features discernible as faces and bodies.  Though these two -- "Face in the Dark" and "Smoke Ghost 2" -- are in many ways  crude, or simple, I hope they're the first step towards similar projects.  Enjoy!

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Beerfinger -- Daily Grind

3/4/2018

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So the next logical step, it seems, after putting together an album is to craft a music video.  However, when one has next to no budget that can be problematic.  Unless, of course, that's what you're used to working with.  Not to mention having access to a number of talented folks. 
 
As such we managed to put together the following video for Beerfinger's "Daily Grind."  I picked this song because it's the one most people respond to right off the bat.  It's about losing your mind in the numbing monotony of a 9-5 job you can't escape because, like it or not, you've got bills to pay.  I think that point comes across strong thanks to the images we put together. 
 
The video was edited by Alex Farrington.  He did the same for Rochambeau.  Once again he did an amazing job.  I couldn't have done this without him.  Besides some amazing video editing, he has an excellent video game stream over on TwitchTv you might want to check out -- FarringtonEmpire. 
 
Anyway, without further adieu, here is "Daily Grind" the first single off of Uncle Stumble's Mumble Juice.  You can grab the single, or the whole damn album over on iTunes.  Just follow the link.
 
https://itunes.apple.com/us/album/uncle-stumbles-mumble-juice/1338963609
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Reckless -- Splash of Whiskey

3/2/2018

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Hello friends!  I've got two fresh pieces of digital art for you all to enjoy.  I had three, but the third one just didn't feel right yet.  Maybe in a week or two I'll figure out how to make it work.  Until then these are "Reckless" and "Splash of Whiskey."  The latter is the only one I can speak to its title's origin:  I've been craving a stiff drink.  Still, these came about the same way I always produce images.  

I started with nothing in mind then just wandered until something caught my eye.  Every time I try to do something intentional the picture just will not come together.  Maybe I just can't be flexible, accepting the version I can create versus what my mind wants to see.  Sometimes I think the trick with art is to be okay with your limits, and only shoot within those bounds.  If you can only draw stick figures, well, there's no reason you can't have them say or do something interesting.  After all, there's more to an image than its quality.  

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    Author

    J. Rohr enjoys making orphans feel at home in ovens and fashioning historical re-enactments out of dead pets collected from neighbors’ backyards.

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