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Beecher's Hollow part 8:  In the Eye of the Hurricane

10/27/2013

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"Even if we were surrounded by a herd of echidna penises, rabid and ready to cover us with their digestive jizz, I wouldn' ditch you.  Even if throwin' you down might distract 'em long enough for me to get away, I wouldn' do it.  Because that is not what friends do to each other."
 
Bill Dekker ladies and gentleman.  Those were the last words I heard him say.  Then he was gone, and some time later a box showed up on my doorstep.  Supposedly full of his ashes, I regarded the box as the end of an era.  No more late night phone calls demanding the location of gypsy camps in the greater Chicago area.  The end of all marathon bar crawls -- 17 hours to the finish line; fewer weekends swimming through a blackout.  The knock at the door would never again result in a black bag being thrust over my head, the sting of a stun gun, and waking up in a rural Illinois weed field as collateral for a massive buy... part of me wasn't sorry to see it all end.  
 
And considering the unpleasant side of Bill, the side that once kidnapped his nephew to teach him a lesson about weirdos in panel vans, I started to see a different take on the box of ashes.
 
Edward asked, "You're sure this is your friend?"
 
I nodded, "Oh yeah.  Which inspires me to wonder, why do you call him the Red Hurricane?"
 
Y shrugged, "I heard it's because he's as destructive as a hurricane, one raining blood."
 
Edward said, "My informant in the Kellys told me he named himself.  One night he drank a shot of blood, spit it into the air, and just started laughing, insisting they call him the Red Hurricane from there on out."  
  
I shook my head.  Bill always had a zest for reinvention. He didn't like to lie, but he did enjoy twisting the old into something new.  Folding my arms across my chest I related the real origin of the bloody nickname. 
 
About three years ago Bill, myself, and a few buddies went down to a joint called Shift.  Now, every city bar that's downtown will attempt some gimmick to lure customers. From the simplicity of neon shamrocks and sexy bartenders to live bands to encyclopedic booze options, few watering holes last without pageantry.  Shift took a unique approach.  Every few months the interior theme changed.  In one year Shift went from being a lounge to a pirate bar followed by an office space complete with cubicles acting as tables.  After being a cowboy bar full of wooing girls in appropriate hats, Shift went for a Tiki theme.  To this day I have no idea what inspired these transformations, yet it compelled us to visit the spot with some regularity, so I'm inclined to call it a success.  On this particular evening the drink specials centered around titanic daiquiris.  Ten dollars for an icy beverage large enough to drown a small child, or as Bill put it, "We could kill some midgets with these things then drink outta their tiny skulls like barbarian kings."  Technically, the volcano shaped container doubled as a pitcher, so patrons were encouraged to share this massive drink.  Not Bill, nor I if the truth must be told.  
 
Over the course of the evening we drained several volcanoes.  However, on certain occasions Bill lacks patience.  I take drinking as a long term endeavor.  There's no need to speed chug.  The booze will do its job given the opportunity.  Bill sometimes felt it necessary to drink as if he were taking on the speed of light.  Normally, he lost this challenge, and would settle into a more sane pace as the night went on, but this night he seemed to be on a mission.  
  
In two hours I watched him consume $150 worth of 60 ounce volcanoes full of strawberry daiquiri. I will never forget Bill Dekker awkwardly climbing onto a table in the middle of Shift.  Atop the makeshift platform he hollered, "Attention!  There's a storm uh comin'!"  He then proceeded to spin, and like some kind of horrifying sprinkler he sprayed red vomit in every direction.  I managed to duck under our table.  Our friends were not so lucky.
 
His stomach empty, the puked upon crowd staring in silent shock, Bill stopped spinning. Surveying the room, he laughed, "Looks like a red hurricane hit this tropical paradise."  
 
A variety of nicknames followed -- Mother Nature's Period, the Devil's Sprinkler, the Daiq-orcist -- but the only one that stuck was the Red Hurricane.
 
Edward regarded the story for a moment before remarking, "This changes my opinion of things."
 
#
 
There are many decisions in life I regret.  Most of them involve little events which seem more important than they perhaps are in the grand scheme of things.  For some reason none of the grand moments in my life have been any cause for lamentation.  My choices at the forks in the road have never caused me to look back, yet tinier options haunt me.  Should I have asked out that beautiful woman in front of her husband?  Was it necessary to set that car on fire because the cable was out?  There may have been no need to get extra cheese on my pizza, though perhaps, instead, I'd end up regretting not getting it.  
  
Deciding to walk into the Kellys' HQ, a tavern called The Side Door, will never be a regret.  There are questions in life which require answers.  Those answers don't always come easily, but they must be sought out.  Granted, it's not necessarily the best idea to down three or four long islands before seeking certain answers.  However, Ulysses S. Grant was a drunk.
 
"What's that got to do with anything?"  Y asked.
 
"I'm just saying.  He drank a lot, and still won the Civil War.  So just keep that in mind."  
  
Y nodded slowly, "Oookay.  You do remember why we're doing this.  Right?"
 
Finishing the last of my long island pint I said, "Assuming the Red Hurricane is in fact my friend Bill Dekker, and I'm sure it is a fact, we're going to use that friendship so you can get close enough to kill him."
 
Y said, "And you're fine with that?"
 
"Totally fine."  And I was because I thought I'd be able to convince Bill to leave town.  I figured if I could get the Red Hurricane to at least leave Beecher's Hollow there'd be no need to kill him.    
 
I didn't know what was going on, but this wasn't him.  Kingpin of crime did not mesh with the image of Bill Dekker in my mind.  Speakeasy style bootlegger maybe, but not emperor of terror controlling a criminal empire.  Frankly, he didn't have the discipline I assumed one needs to operate such an enterprise.
 
I scanned the room without an subtlety.  Still no sign of Bill, so I asked, "How long we been here?"
 
"Too long," Y said.
 
I agreed, at which point I climbed onto the bar, turned to face the few patrons, and shouted, "Which of you pigfuckers is the Red Hurricane?"  A low, decidedly unfriendly murmur went through the room. I said, "He's about this tall, but you'd never know it because he's always bent over something getting a fist up his ass."  A beer bottle sailed past my face.
 
"I think you got their attention," Y said.
 
"Indeed."
 
She added, "If things go wrong, you're on your own."
 
At the back of the bar a door flew open.  From out of the basement stepped Bill Dekker.  I've seen calmer bulls at the rodeo.  When he locked eyes on me he started laughing, "It's about time." Before I could ask what he meant he said, "Everybody this is a good friend of mine from back home.  So don't break every bone in his body."  A trio of men who looked like they could frighten steel into melting advanced on me.  Bill shouted, "Hold on.  I'm just fucking around."
 
I jumped down off the bar to shake his hand, "Welcome back from the dead."
 
He slapped me in the face, "That's for taking so long."
 
I said, "What are you talking about?"
 
Bill shook his head, "You get a box full of my ashes, and it takes you this long to come down here for revenge.  If it was a box full of you I'd've been here the day before I got the fucking box." 
  
And I know from experience Bill really meant what he said.  Not hyperbolically, literally.  He literally believed his quest for vengeance would involve time travel, and yet somehow this in no way meant traveling in back time to save my life.
 
He shouted to the bartender, "Jonesy, lock this place up.  We're having a private party."
 
#
 
Bill continued, "So he grabs the microphone from the band's singer, and says, 'April, Neil this has been a fantastic wedding.  You guys make a great looking couple...'"
 
I interrupted, "Do not finish this story."
 
"Ignore him," Y said delighted.
 
Bill went on, "So anyway, 'stead of endin' on a classy high note, he keeps talkin' and says, 'But April there's always been this sexual tension between us you've insisted on denying, so I'm asking one last time you wanna get a drink and see where the night takes us?'  That's when Neil, April's newly wed husband, gets up and shouts, 'Who invited you?'"
 
I recounted my response, "'I invited myself!'"
 
Y slow clapped. 
  
I said, "It seemed romantic at the time."
 
Bill laughed, "Like you're the fucking king of romance."
 
"Don't start, Billy.  I know a few things about you Red Hurricane."
 
Grinning, Bill said, "You don't know anything about here and now."  
 
Bill arrived via alcoholically teleported -- one minute shooting whiskey in Chicago, the next stepping off the train in Beecher's Hollow.  After years of wanting to come he'd finally arrived.  However, he knew better than to flat out believe in urban legends.  So he went to the first bar he could find, and ordered an actual bucket full of beer. The bartender scoffed, "Sorry pal, we don't do that here.  You can go to Slop House if you like, but I, uh, can do you one better," and proceeded to deposit a small barrel next to Bill with a hose running into it.  For ten dollars, Bill could suck on the barrel all night.  Regardless of how it sounded, Bill told me he got down on his knees, and wept as he thanked god for delivering him unto the promised land.  Here the hookers knew how to make it seem like they were really your girlfriend, the drugstore sold over the counter chewable opiates (from children to adult strength), an ocean of booze being drained in the hope to treasures lay at the bottom of the sea, and he was here to experience it all.
 
He never had any intention of leaving.  Yet, a prolonged stay soon resulted in certain necessities.  For one, he needed a source of income.  Although a person can buy anything with anything in Beecher's Hollow -- I myself had already witnessed a man pay his exorbitant tab by chopping off his ring finger -- the prospect of getting another nine to five left a sour taste in Bill's mouth.  So he turned to one of his few true passions.  Poker games weren't hard to find, but the real money dwelled in the back alley games, where the shadow kings of Beecher's Hollow gathered.  No tourist is ever invited to them, but Bill Dekker is, if nothing else, good at getting what he wants.  Discontent to battle for beer money, Bill wanted a mountain of cash to sustain him for a prolonged period of time.  So he found one of the more mythic poker games.  Y was surprised a tourist could charm his way into such a competition, but I wasn't.  I knew Bill was leaving out a detail or two to make himself sound more silver tongued. In all likelihood, he probably bet his life to get a seat.  
  
The game went on for hours.  Bill held his own.  During one hand the pot contained 36 thousand dollars, two human hearts, the Boston Symphony orchestra, and keys to every building in Albuquerque.  At one point tempers flared, and Bill watched a woman named Lydia O'Bannon shoot a man for cheating.  The man fell across the table, his dead eyes fixed on Bill.  According to the rules of the game the man's corpse therefore constituted his final bet.  All his remaining chips went into play alongside his body.  
  
Only Bill bet against him.  This didn't sit well with the others.  If the man's final hand lost that meant his body belonged to Bill.  As a matter of decorum everyone folded so the deceased could be returned to whatever constituted family.  Bill won, but he donated the body to the man's kin to avoid any unpleasantness.  More importantly, the exact limits of what a person could do in Beecher's Hollow were slowly sinking in.  
  
One of the players, admiring Bill's tactful compassion, invited him to drinks at The Side Door.  The man in question turned out to be James Roark, a Kelly lieutenant.  
  
"Anyhow," Bill said, "I fell in with the Kellys.  Started doin' what I wanted when I wanted, and one, two, three here I am, king of the mountain."
 
I said, "That all sounds fantastic.  Tell me about the one, two, and three."
 
Bill sighed, "This place isn't like back home.  It's what we always wanted." -- We? -- "You can do anything you want here.  There are no fucking consequences.  I shot a guy on the street the other day, and everybody was just like fuck that's his problem."
 
"What do you mean by we?  I don't remember pining for a murder paradise."
 
Bill laughed, "That's cuz you still got the old mind running.  You're worried about getting into trouble for shit.  Trust me, no one judges you here.  Except for maybe being a tourist, but you cut out enough eyes people stop calling you that."  Before I could respond Bill said, "Look we used to talk about living somewhere a man could do whatever he wanted.  This is that place."
 
I considered my words carefully, "This place is insane -- no offense Y..."
 
"No, I agree."
 
"... and I think it makes people crazy the longer they're here."
 
Folding his arms across his chest Bill said, "You think I'm crazy."
 
Still careful with my words, "You seem to have gone over the edge just a bit.  So I think you and I should leave town before you become an irrevocably twisted monster."
 
An eyelid twitched.  Bill put on a smile too fake to be sincere.  Leaning forward he growled, "If you're not here to join the party, what are you doing here?"
 
I tried to tell him the story, but he cut me off after the ashes arrived, "I sent you those expecting you to come down here not pussy out.  I thought it'd be hilarious, you bursting in here looking for revenge only to find me still kicking.  Tell me that's not funny."
 
"What made you think I'd come flying down here on a quest for vengeance?"
 
"Cuz you've always had my back.  Remember that brawl in The Mirage?"
 
I nodded, "As I recall you started a bar fight because you were bored, and I had to fight my way out of there or else get my ass handed to me."
 
"Come on. You make it sound like you didn't have my back."
 
"I didn't."
 
The scowl that came across his face will always haunt my dreams.  Watching a person realize many of their memories aren't telling the story they want is unsettling.  It's witnessing the death of a reality.  I was watching Bill's epiphany we might not be the close friend he believed us to be.  
  
He snapped his fingers.  Y and I were grabbed from behind by a squad of goons.  Bill shook his head, "The death of a friendship is always tragic." He said, "Put 'em in the basement."  -- glaring at me --  "Then call the Tanner." 
 
The way Y started kicking and screaming I could tell the Tanner meant something terrible. However, Bill's goons carried us off without breaking a sweat.  They threw us down the stairs then locked the door.  
  
Y immediately ran around the basement, peering behind every crate, banging on any window.
 
"We gotta get out of here," she said.  She sounded panicked.  Whatever could make her nervous made me terrified.
 
"Do I have to ask?"
 
Still searching for some way out, she said, "The Tanner skins people.  Alive.  When he isn't being paid to do it, he does it for fun.  Nuff said?"
 
"Too much said."
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Beecher's Hollow part 7:  Ink Repo

10/18/2013

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We went into Edward's office.  He sat behind a lavish desk, ornate legs carved to look like diminutive Atlases holding up a great slab of mahogany.  One could see clear expressions of exhaustion, and terror at the consequences of fatigue on the faces of each muscular figure.  I tried not to stare at the sculptures' pleading expressions. The myriad knick knacks on his desk provided ample distraction:  a Megalodon's tooth, several burgundy rune stones, a lacey spider web made of crystal, the proverb Revenge is a Confession of Pain on a small rectangular plaque, a lamp made out of an old reel to reel projector, some charred bone fragments in a small jar, and a picture in a silver Ouroboros frame, though I couldn't see the image itself.
 
Y and I sat in plush leather chairs.  She and Edward seemed to be engaged in a mild battle of wills, waiting to see who spoke first.  I wondered if I should break the ice.  Then one of Edward's people appeared beside me holding a steaming cup of coffee.
 
I flinched. 
  
Despite the bandage and ointment applied earlier, I still felt nervous about them handling boiling liquid around me.  Edward assured me he felt sorry about burning my hand, and I knew better than to outright doubt the sincerity of his apology.  So, steeling my nerves, I accepted the coffee.
 
"This is fantastic," I said after a cautious sip.
 
Edward bowed his head in thanks then said, "Shall we get down to business?"
 
Y took the bottle rockets of out her pocket.  Laying them on Edwards's desk she said, "I need to know who's making them."
 
Edward glared. I gripped the cup in case I needed to fling the hot beverage as a means of distraction before bolting towards the exit. He said, "You risk coming back here for a drug test?"
 
Y rolled her eyes, "No, I risked coming back here because I want my corner back."
 
Edward swore, "You can sell your jewelry on any corner..."
 
She cut him off, "It's the principle of the thing.  You taught me that."
 
The gears in his face ticked as he hesitated.  He wanted to say something, yet she seemed to have beat him.  Throwing up his hands Edward said, "Fine.  If this stupidity is what ultimately gets you killed, it won't be on my head."
 
"Fine," Y said.
 
"Very well."  Edward made a gesture.  He handed the bottle rockets to one of his associates, "Poison these and put them back on the street."

"You're not even going to test them?"  Y sounded ready to start stabbing.
 
Edward said, "These days orange bottle rockets only come from one source.  The Kellys."
 
"Oh fuck," I said.
 
Edward looked from me to Y.  She explained my vague need to get out of town before the Kellys knew I was in Beecher's Hollow.  The man with the clockwork face nodded in understanding.  He even went so far as to explain he'd made similar declarations in the past.
 
"That said," Edward remarked, "I like to think I'm better than the Kellys. They always kill."

Not really wanting a deeper explanation of what exactly he meant by that I said, "Look, I got a bus to catch, and then I am gone.  I didn't mean to end up here.  Shit, I don't even know how I got here."
 
"Then you have something of a problem," Edward said.  I noticed Y slink down in her chair, leaning away from me.  He went on, "Unless you have a car there aren't many ways of leaving the city.  As such, the bus and train are monitored.  I have my own people watching them now to make sure no one skips out on, say, a debt of some kind or another."
 
I said it out loud to make the fact feel real, "So I can't get out of town without being caught."
 
Edward shrugged, "You could always start walking, but I assure you it's a long way through a lot of nowhere."

I glared over at Y.  She knew how much I wanted to get out of town, and had been dangling the possibility of escape to make me run her errands.  Sure, I owed her favors, but I'm not one to pay for nothing.  Helping her was all about me getting out of Beecher's Hollow.  But when I thought about what we'd been through so far, I figured this was all about survival for her as well.  I'd like to say we'd been using each other, as it were, but Y was the better manipulator. She at least got something out of the situation.
 
I considered stealing a car.  I don't how to hotwire, though I suspected in a town full of drunks and drug addicts stealing someone's keys might not prove terribly difficult.  Worst came to worst, I'd just hang around till someone got sloppy... but the longer I stayed the more likely someone would find me.  Those two shaved gorillas earlier spotted me right off.  That said, as my hang over cleared, more and more I'd been wondering how they knew what I looked like.
 
Edward said, "I believe we can all be mutually beneficial to one another."
 
Skeptical, but desperate I asked, "How so?"

"I've recently taken an interest in the Ironhorse Tattoo parlor."
 
Y grinned, "That wouldn't have anything to do with Autumn Nyx would it?"
 
Edward said, "She and I have been spending some time together.  She's a fascinating woman."
 
"I'll bet she is," Y said, "Huge conversationalist.  Huge."

I found it interesting.  This exchange between the two was the first I'd heard that didn't drip with venom.  It was almost playful like two old friends poking at one another.
 
"In any event," Edward went on, "My point is I have no love for the Kellys. However, I can't do something for free. That's just not how things are done here.  So, if you assist me with a small matter I will have one of my people see you safely out of Beecher's Hollow.  I'll even go so far as to provide transportation to anywhere you wish."
 
"You can trust him," Y said.  I didn't find her reassurance entirely assuring, but not having much choice I asked what needed to be done; I'd learned in Beecher's Hollow it's best to just get things over with as quick as possible.
 
Edward said, "Just a small repossession."
 
#

As I came to understand things, in Beecher's Hollow a person can get a tattoo for only a small down payment followed by regular monthly installments.  Nine times out of ten this results in people getting fantastical, elaborate beautiful pieces which they eventually pay off.  However, there are the occasional lapses in payment.  While there is a grace period to make up for such instances there is a possibility one's tattoo will be repossessed.  
  
"That's the long and short of it," Y said.  
  
I nodded, "Which explains the filet knife and address Edward gave us."

"Yeah, this guy lives just around the corner.  We'll be done in like ten minutes.  Maybe a half hour.  It depends on -- ya know?"

"On how much he wants to keep his skin."
 
Y said, "Hey, he might have the cash then we're out of there like that."  She snapped her fingers.
 
I wanted to be back home in my apartment.  The door solidly locked.  Sitting on the windowsill, half out on the ledge like a hesitant gargoyle, smoking and watching the world.  Alone.  No worries about who might be coming to kill me, what person needed to be flayed, the cost of leaving town, or the vague memory of a face I wanted to touch -- okay, maybe that last one would linger regardless of where I was, but the impending death would certainly be lessened.  I wanted a drink.  
 
I headed towards the first flashing neon that caught my eye.

"Where are you going?" Y called after me.
 
"I have to brace for impact."
 
The street reminded me of Mardi Gras.  A raucous horde of slack smiles on shuffling, stumbling feet flowed like sludge from one gaping neon maw to the next.  Some slipped down black holes to gasp on moonshine, while others made the sky rain with cash in topless bars too dark to reveal the strippers' many scars, the ones in their eyes as well as on their bodies.  Amidst the screaming tourists, who sent up a cacophony of babbling delighted drunk talk, darker faces moved.  These belonged to the locals who herded the crowd towards this or that den of iniquity; sold drugs, flesh, and promises; picked pockets, or led tourists down Crow tagged alleys to be hoisted away by bungee jumping bandits.  The air thick with the smell of sex, booze, and blood (burnt plastic and weed as well) -- I felt high on the city fumes.
 
Y had to catch up to me for once.  When she did I was already inside a place called Rose's.  The bartender, a retired Valkyrie, poured me a whiskey without my even asking.  She said I looked like the type.  I suppose if anyone could tell it'd be a bartender in Beecher's Hollow.  
  
"We don't have time for this," Y said.
 
I swallowed the artillery shell of a shot in one burning gulp.  Then I turned to Y saying, "I'd really appreciate it if you didn't casually presume I'm capable of skinning a human being.  This may be old hat to you and all the freaks in this town, but this is not something common for me.  Don't get me wrong.  I like my weird -- I blew up a car with a fuse made out of socks because I was fucking bored; however, I'm not too big a fan of the wild, when people get to being like feral dogs hunting for blood just so they can roll around in it.  I'm a decent alcoholic for fuck's sake.  So please, give me a minute to fuel up before I have to carve some motherfucker like a turkey... a tattooed turkey."
 
Y gestured to the bartender.  The Valkyrie poured two drinks.  Y tossed down a few dollars.  She took one glass, swallowed half, and said, "I'm not casual about everything" -- she downed the rest -- "I'm in a hurry before I lose my nerve."
 
I felt like an idiot.  Stabbing a man who's attacking you is one thing.  Cutting a person up because they're late on a bill, well, that takes a certain kind of sociopath.  Just because Y was willing didn't mean she wanted to do what helped her survive.  The problem is that not doing that thing she found awful meant she might not make it to the next day.  
  
"Sorry," I said.

"Forget it," Y said.
 
I finished my drink like it might save my life.  Then, "Let's do this."
 
Eyes set on after the deed was done, we headed back onto the street.  We didn't see the crowd, we saw the end of the line.  It felt like two steps, going from one end of the block to the other.  We doubled checked the address.  No words. Glance at the slip then the numbers above the door.  Y picked the lock, and we flew up the stairs to 3E.  A gentle knock at the door.
 
The door opened a crack.  I remember the rattle of a chain.  
  
"George Brennan?" I asked.
 
"Yes?"
 
I kicked. The door flew open.  Pieces of the door chain flew, glittering through the air.  George stumbled back.  Tripping over his own feet, he fell to the floor with a crash.  The neighbor below immediately pounded on the ceiling below.  Y slipped in, and dropped a knee down on his neck.  He flailed, but she caught him by the wrist.  Twisting it into a painful angle, she gestured for me to come in.  
 
Someone down the hall stepped out saying, "What the hell is going on?"
 
I pointed at the person with the filet knife, "None of your fucking business."

"It is not," he said, returning to his apartment.
 
I closed the door.  We asked if he had the money.  He knew what we meant.  He said no.  There was only one thing left to do.  I would like to give George credit for putting up a good fight, but the truth is after he said he didn't have the money, adding that we could fuck ourselves for asking, Y applied pressure to his neck until he passed out.  We hoisted him onto the kitchen table.  Y collected a few belts, ties, and other household items we used to lash him down as well as gag him.  
  
From the left shoulder past the elbow down to his forearm an iridescent feathered serpent coiled around George Brennan's arm.  Though made of ink, I found it hard to shake the feeling the animal might come to life at any moment.  His flesh seemed like its cage.  
  
"Are you ready?" Y asked.
 
"Should I do this, or you?"
 
"I need you to hold him down."
 
"Okay."
 
George didn't wake up right away.  Y managed to peel from the shoulder down around the armpit before George started kicking.  I leaned my whole body weight on him.  The table jumped whenever he thrashed.  I can't really say I blame him.  Messy business.  A few times George's struggling caused Y to cut too deep sending rivers of blood running. Her hands got slippery causing her to fumble with the knife, cutting him but not freeing skin.  It took a while, however, we got it done.  
 
Unfortunately, between George's thrashing and Y's slick hands, the tattoo got cut into three pieces.  I saw a roll of wax paper next to George's sink.  Wrapping up the pieces, I put them in my coat pocket.
 
Y undid one of his arm restraints then we took off.  Back on the street we went straight to a nearby alley.  We were done, for the most part.  All that remained was delivery.  I put my hand in my pocket.  The skin still felt warm.
 
The look on my face inspired Y to ask, "You okay?"
 
"I will be.  You?"
 
"Same."
 
#
 
Back in Edward's office I laid the pieces out on his desk.  He shook his head, "It's too bad about the damage.  I don't think I'll be adding this to my collection." He handed them to one of his people, who took them away.  Edward remarked how he liked to preserve, at the very least, the art.  In another part of the The Rabbit Hole he kept a gallery of repossessed tattoos in air tight displays.  He asked if I wanted to peruse his collection before departing.  I made sure to politely as possible decline, suggesting that on some return visit I might take him up on his generous offer.  
 
"Very well. You're missing out on a remarkable reproduction of a painting by Egon Schiele, but that's your loss."  He came from behind his desk.  Standing next to Y he said, "It was good talking to you again."
 
She folded her arms across her chest, "You know where to find me."
 
"At war with the Kellys."  He ticked a grin, though not a happy one.
 
Something about helping a person skin someone changes the nature of your relationship with them.  It really is a bonding experience, though not one I'd recommend.  As such, I thought about Y for the first time.  Before she was someone I needed to get out of town alive.  Now, she was my friend.
 
"She can't take them on alone," I said.
 
Y said, "I don't intend to."
 
"You and the old picaroon can't take them on by yourselves," Edward remarked.
 
Y nodded, "I know.  I'm going to take your advice for once, and just let things slide."  She looked at me.  She smiled, "No sense losing my head over a street corner."  She shook her head, "But I gotta ask, since when are the Kellys rocketeers?  I always thought they stuck to the classics:  coke and dope."
 
Edward said, "They've been making a lot of strange moves lately.  A few months ago some new player stepped onto the scene.  He took over the whole Kelly operation in a few weeks."
 
Something clicked in Y's head.  She said, I suspect more for me than Edward, "I remember.  Not too long ago there wasn't a night without a gunfight or a bomb going off."
 
Edward said, "Once Eddie Coonan died there was no one left to stand in the way.  The Red Hurricane took over." -- that name sounded too familiar to me -- "He's been taking the Kellys into every business in Beecher's Hollow.  He's even trying to take over the hooker school."
 
"Good luck," Y snorted.
 
Red Hurricane... "I know that name."  I asked Edward to describe the Red Hurricane.  He did me one better.  He showed me photo -- know thy enemy.  I stared at it in disbelief.  I showed Y the photo, "This is Bill Dekker."
 
"You said they sent you a box full of his ashes," she said.
 
I said, "What the fuck is going on?"
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As a Sign of Affection

10/11/2013

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Things looking too clear
She held her face against the mirror.
Forehead banging, breaking.
Her hands shaking.
Tomorrow it all repeats;
A steady diet of defeats
Compelled her to think,
"There's one last drink..."
Coffee mug full of bleach
Within arm's reach.
 
Looking precision beaten
Feeling chewed and uneaten;
Bruises paint a picture
Of her lover's stricture --
Corrections to cease
Disappointment on the increase.

She regards the mug
And considers one chug.
How bad could it taste?
Would it be such a waste?
The baby screams
To escape bad dreams,
But her mind barely wanders.
Instead she ponders
Giving the child a sip.
It won't need much for the trip.
 
Gears grind against rust.
Her eyes lose their crust.
A dim bulb lights a notion:
If it isn't fair to kill the child
How is it fair she's reviled?
One sense of what's best
Triggers an acid test.
A feeling she's second guessed
Beats in her chest,
"I don't deserve this."
Pissed.
She doesn't turn the hate on herself.
Fear goes on the shelf,
And she takes the mug to brew
A sweet adieu.

Sugar, cranberry, vodka and lime.
Not enough to kill this time...
She'll provide correction
As a sign of affection.
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Time to Sell, Time to Vote

10/7/2013

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Hey friends, be sure to check out "Time to Sell" at Fiction Vortex, and while you're there vote for it to be the reader's choice of the month.  Thanks a lot, and stay strange.  http://www.fictionvortex.com/2013/10/readers-choice-poll-september-2013/
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Beecher's Hollow part 6:  The Man with the Clockwork Face

10/5/2013

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Over drinks I told Y, "When I was... small, my mother put me in a locker at the train station. One of those coin lockers with the key.  Anyhow, she sat on a bench nearby, and watched how long it took before anyone noticed the crying baby in the locker. A lot of people looked, but for three hours nobody did anything.  My mom liked social experiments."
 
Y said, "Okay.  That's really... yeah.  Bus leaves in about an hour.  Soooo, if you're going to follow through on that second favor, we need to hustle."
 
"Well, come on now.  I'm just being friendly.  Tell me something about yourself," I said stalling to get another drink.  Vague recollections of the clown who hung himself, the skull top being kicked into the sewer, the odds of my gruesome death -- I just needed one more layer of fortification.  
  
She rolled her eyes, "Fine.  You want to talk about family?"
 
"Not necessarily, but go on."
 
"When I was twelve my father sold my brother to a dog fighting crew.  They used to put him in a pit with dogs, and he'd fight with like a screwdriver, or a ballpoint pen, or his bare hands.  He did all right for a while, but a ten year old boy is no match for an angry St. Bernard."
 
Welcome to Beecher's Hollow, I thought.  There used to be a time I wouldn't've believed such a story.  In a way, I guess the town was expanding my horizons.  It opened me up to myriad new realities.  Take M. C. Flannigan's, the bar Y directed us to.  
  
Almost no lights save for the black ones shining on velvet portraits of dead celebrities.  Candy apple red leather booths.  A galaxy of local liquor brands I'd never heard of such as Teeg's Vodka, Vidor's Tequila, and Captain Adam's Retinal Damage Rye.  Sipping a glass of Retinal Damage, I eyed the customers for the third time to make sure they were real.  Picture a cruise ship depositing tourists in a tavern filled with Appalachian gangsta rappers -- bling, red and black checkered shirts, baggy jeans, gold grillz, and greasy trucker caps -- the image gets clear, though the effect is somehow more unsettling in person; men muttering what sounds like country western lyrics in a distinctly rap vocal pattern while they chew tobacco, overweight middle age people in tropical shirts and floral print moo-moos, the smell of suntan lotion, weed, and stale beer mingling.  
  
I asked Y if she came here often.  She shrugged, and checked the clock again.  
  
Y said, "We need to go."
 
Hair of the dog had done the trick.  Like cures like.  My skull felt glued back together.  Some faint traces of the hang over persisted, but a pleasant boozy numbness made them ignorable.  Obliged to honor the remaining favor, I asked what we needed to do.
 
Y led the way outside.  She moved so quickly that by the time I caught up to her she was already in the middle of explaining our task:
 
"... can identify the bottle rockets you bought.  Once I know who's doing the dealing I can put them in their place.  I may sell jewelry, but that doesn't mean I'm some push around bitch.  That's my fucking corner."
 
"You sell jewelry?" I asked, fumbling to get a cigarette going.
 
She turned. Even walking backwards she managed to slip through the pedestrian herd like mercury.  Pointing to her t-shirt, Y Creations, she said, "Custom made by my own two hands."  She spun around.
 
We made our way deeper into downtown.  Evening was coming on.  As the streetlamps flickered to life one of them exploded in a shower of sparks and shards. Except for one or two cheers, no one paid any attention to it.  All eyes remained fixed on the next destination.  
  
The drinks had an added benefit.  Being in a bar, the taste of whiskey, all triggered some sense memory.  Like an amnesiac I pulled together a few more fragments from my blackout.  For the first time I remembered the clown's name, Jacob... Jacob Mueller.  I met him in a place called Lisa's Lounge.  Or I should say we met him.  The woman's face came in blurry, but I knew she was beautiful. There are some women who haunt men's bones.  She definitely came from that clan.  Purple eyes.  Cherry red lips tasting of anise.  But her name still escaped me.  Jacob Mueller, who was already dressed as a clown, was debating the end of a three day meth binge when we met him. From the fog I heard bits of a conversation we'd had.
 
Me: "If you quit now you'll never know how far you can take it."
 
Her:  "He's right.  Plus, you're not really done until you pass out."
 
Jacob:  "You guys are awesome.  Awesome!  I really like like you two.  No one tells me the truth anymore.  You know? You know.  They just say what they want to hear.  Well, I want to hear what I want to hear, ya know?  You know.  I gotta piss.
 
Me: "He is going to pop like a frog in a microwave."
 
Her: "I bet we can get him to kill himself."
 
Some memories are better left lost.  The possibility I'd helped inspire a man to suicide -- I'll joke about it, but actually doing it is another thing entirely.  Although, the simple fact I woke up in a hotel room with Jacob hanging from the ceiling seemed to imply otherwise.  
 
Y called to me. I saw her standing in the doorway of a hole in the wall cafe called, interestingly enough, The Rabbit Hole.  Hurrying over I did my best to forget again.  I didn't like the image the puzzle pieces put together.  Yet, I knew it was only a matter of time before enough fragments came together to at least provide some sense of the last few days.  For the time being, however, I focused only on the task at hand.
 
Y said, "What I need you to do is very simple.  Go inside and order a cup of coffee.  Then say, 'God that clock is annoying.  Someone should shut it off.'  Say it loud enough everyone inside can hear you."
 
"And then..." I trailed off to let her fill in the as yet unspoken details.
 
"What do you mean?"
 
"What's going to happen when I say that?"
 
Y said, "Nothing really.  It's a code phrase.  Like spies. It'll let the man in question know you're here to see him.  Then just point him towards me."
 
I narrowed my eyes, "Why don't you go inside?"
 
She muttered something I didn't catch.  I asked her to repeat herself, and she snapped, "Because I'm not allowed inside. There was a thing a while back, a guy got stabbed, it was a whole thing you don't need to worry."
 
"I think I need to worry about going into places where people get
stabbed."
 
She shook her head, "No, you don't.  I'm the one who stabbed him."
 
Somehow that really did make me feel better.  In fact, going inside would mean getting away from someone who stabs people, making my task all the more desirable.  Plus, a cup of coffee sounded like a good idea anyway -- the final curative element. 
 
Taking a deep breath, I stepped inside The Rabbit Hole.
 
It reminded me more of a curio shop than a coffee house.  Abstract sculptures made out of various bones.  A doll composed entirely of teeth.  Jars full of dubious looking liquids with unnatural creatures floating inside them.  One, a kind of fish-rabbit, even winked at me.  An alligator skin couch.  An adolescent giant squid, wired to shine light bulbs, hung from the ceiling like a chandelier.  Stain glass images of Saints in poses taken from the Karma Sutra.  I got the feeling they sold more than just coffee in this place.
 
There weren't many customers, though the ones I saw eyed me surreptitiously.  Peering over leather bound books, or using the reflection off cabinets, the patrons kept track of me.  They all wore three piece suits, even the women.  It seemed a particular subset of Beecher's Hollow frequented this establishment.  
 
At a counter I had good reason to suspect may have been a bar from the Titanic, I ordered a cup of black coffee.  The barista gave me a once over before going to fill my order.  For all the oddities in The Rabbit Hole I saw no clocks.  This gelled with Y's assertion the phrase was meant as a code.  So feeling a bit more comfortable, when my drink arrived I remarked, "God that clock is annoying."
 
The barista said, "Excuse me."
 
I said, "That clock.  The ticking. It's annoying.  You know?"  I then repeated the phrase with emphasis, "God.  That clock.  Is annoying.  Some should shut it off.  You follow?"
 
I heard a rustle of movement.  Turning around I found all the patrons lined up in a phalanx blocking any chance of exit.  It dawned me that this might not be a good thing.  I, perhaps, shouldn't have been surprised, but I was.  And I was about to explain myself when the door to a side office opened. 
 
A man in pinstripe pants, a matching waistcoat, and spats emerged.  One side of his face was missing, but instead of exposed bone and muscle there were brass and gears.  He'd somehow reconstructed the missing portion of his face with brass in place of bone and teeth, and clockwork gears to assist the remaining facial muscles.  
 
He walked up to me.  He seemed about to say something then thought differently about it.  When he moved his mouth a faint, faint ticking sound came from him.  Leaning the gear side of his face in close he said, "Judging from the look on your face, you don't know me."
 
Staring into the empty brass socket that once upon a time held an eye, I said, "I do not."
 
He grunted, "Hm.  Then you're a tourist."
 
Though I'd come to realize that wasn't exactly a term of endearment from the locals, I agreed with him.
 
He said, "That's slightly more forgivable."  He reached over and picked up my coffee, "But still..." He grabbed me by the wrist.  I've encountered weaker vices.
 
He said, "'Withhold not correction from the child:  for if though beatest him with the rod, he shall not die.'"  And with that he proceeded to pour the hot coffee onto my hand.  In a way, I seemed to have lucked out.  It hurt, a lot -- I won't lie, and say I didn't holler -- but the coffee was only hot enough to turn the skin red not burn it horribly.  Then the man with the clockwork face noticed this as well.
 
Turning to the barista he said, "Heat the coffee.  Then pour another cup."
 
I called out, "Y."
 
He said, "Because you were rude."
 
"No, Y!"
 
"I don't need another reason."
 
"YVONNE!"
 
The front door opened, and Y stuck her head in to shout, "I told you not to call me that."
 
The man with the clockwork face paused.  He looked from me to her.  Nodding his head he said, "I take it you need something."
 
"Yeah," she said.
 
Still crushing my wrist, he asked, "This man is a problem?"
 
I held up my free hand, and shook my head.  Thankfully, Y said, "No, I just had him say that to fuck with you."
 
"Indeed."   The clockwork ticked as he inquired, "Any reason?"
 
"Because you're a fucking asshole for banning me."
 
"You stabbed a man..."
 
She cut him off, "He tried to rape me in the bathroom."
 
He sighed "And I told you I believe you.  I would've handled it.  I can't have your street justice in my shop."
 
"There was an immediacy to the situation.  Maybe if it hadn't been the mayor's son things would be different."
 
The gears in his face shuddered.  Speaking through gritted teeth he said, "Which is why I banned you.  So there wouldn't be a place they know you frequent."
 
"I'm not hard to find Edward.  Everybody knows me."
 
"Then it's a good thing someone is keeping you a secret."
 
The two glared at one another.  I suspected this was not the first, nor would it be the last time these two fought. However, it made me curious about the history between the two.  That said, my immediate concern revolved around getting Edward to let me go.  Particularly because their staring contest caused him to grip me tighter.  My bones felt on the verge of breaking.
 
"Excuse me, I was wondering if I could have my boiled hand back."
 
"Hm? Oh, of course."  He let go.  Shaking his head, he said, "She will be the death of me."
 
I nodded, "You and me both."
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    J. Rohr enjoys making orphans feel at home in ovens and fashioning historical re-enactments out of dead pets collected from neighbors’ backyards.

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